• America is different now, more so with every election cycle. Ronald Reagan won his mandate in an America in which 89 percent of the voters were white. That number is down to 72 percent and falling. Fifty thousand new Latino citizens achieve the voting age every month. America will soon belong to the men and women — white and black and Latino and Asian, Christian and Jew and Muslim and atheist, gay and straight — who can comfortably walk into a room and accept with real comfort the sensation that they are in a world of certain difference, that there are no real majorities, only pluralities and coalitions.

    — David Simon, Barack Obama And The Death Of Normal
  • From our infancy the market itself has worked to make us consumers, primed to buy whatever it is selling regardless of its relevance to human flourishing. True freedom requires that we take part in the market as fully formed agents, with life goals determined not by advertising campaigns but by our own experience of and reflection on the various possibilities of human fulfillment. Such freedom in turn requires a liberating education, one centered not on indoctrination, social conditioning or technical training but on developing persons capable of informed and intelligent commitments to the values that guide their lives.

    — Gary Gutting, What Work Is Really For
  • Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible. This was once achieved by extensive deprivation. Today in developed countries it is being achieved by imposing a false standard of what is and what is not desirable.

    — John Berger, Ways of Seeing
  • The separation of knowledge and place moves us slowly towards a society in which it is increasingly unnecessary for us to be aware of where we live, beyond the housekeeping of our own private zones. Once this awareness has lapsed, then landscapes beyond those private precincts become easier to manipulate for ill.

    — Robert Macfarlane, 4x4s are killing my planet
  • It is much to be regretted that so much of the apparent enthusiasm for art at the present day has no foundation in real feeling. In this democratic age of ours men clamour for what is popularly considered the best, regardless of their feelings. They want the costly, not the refined; the fashionable, not the beautiful.

    — Kakuzō Okakura, The Book of Tea
  • It is harder to dispose of anything, or to act selfishly towards it, once one has paid attention to its details. This is an environmentalist’s truth, as well as a humanist’s.

    — Robert Macfarlane, Only connect
  • Once one survives the trough that comes with the understanding that people are going to go on being stupid and cruel to each other no matter what, probably for ever – if one survives; many people choose suicide at this point instead – then one starts to take the attitude, Oh well, never mind. It would be far preferable if things were better, but they’re not, so let’s make the most of it. Let’s see what fresh fuckwittery the dolts can contrive to torment themselves with this time.

    — Iain M. Banks, The Hydrogen Sonata
  • One forgets that there are environments which do not respond to the flick of a switch or the twist of a dial, and which have their own rhythms and orders of existence. Mountains correct this amnesia. By speaking of greater forces than we can possibly invoke, and by confronting us with greater spans of time than we can possibly envisage, mountains refute our excessive trust in the man-made. They pose profound questions about our durability and the importance of our schemes.

    — Robert MacFarlane, Mountains of the Mind
  • Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

    — David Mitchell, The Thousand Autumns of Jacob de Zoet
  • There is an undertow to our yearning for wilderness that feels less comfortable. When you get to your wild place, who will you meet there? Whose hospitality will you call upon? Well, usually no one’s, because the point of much wilderness writing, it seems, is to celebrate a yearning not just for wild places, but for wild places without any people in them. Is there a misanthropic edge to our national passion for wilderness writing and wilderness travel? We would like to start a counter-movement. Rather than escaping to the forests of the Highlands, park your car at Matalan and have a walk around the edgelands woods. This has the added advantage that you won’t die of exposure if you take a wrong turn. And if we must visit mountains, let’s make sure there’s always a café near the summit, so we can have a drink and enjoy the company of our fellow travellers. Snowdon has already taken this bold step. Now all we need is a Premier Inn on the top of Ben Nevis and a Little Chef on Scafell Pike. Let the campaign begin.

    — Paul Farley and Michael Symmons Roberts, Edgelands
  • The more you document your own life, the more you check in, you tweet, the more you post photos of what you did last night, the more you do all of this stuff, or even in my case, the more you listen for little lines of dialogue that can make their way into stories, the more you photograph moments, in a way, the more you start to step out of those moments, and if you do that too much, you become a spectator to your own life.

    — Jonathan Harris, CreativeMornings talk
  • Top Cat! Do you remember it? Top Cat! Well, they’ve dismembered it. Cartoon cats who’re breaking the law — we loved it on TV, but the film version’s poor. Top Cat! The indisputable worst film of the year! The animation’s bad, and the script is just sad, I think we’ve all been had by – Top Cat!

    — Peter Bradshaw, Top Cat: The Movie – review
  • I’ll make technologists a deal, I’ll give up my song copyrights if you give up your software patents. Software patents are even less unique than your typical song. So this should be easy right?

    — David Lowery, Meet The New Boss, Worse Than The Old Boss?
  • As to how he finds design solutions, he says the process is almost the opposite of having a “Eureka” moment. “It is more like solving a crime. The answer is there, and your job is to find it. So we go off and do bits of research that essentially eliminate suspects from the enquiry. And then you follow up leads and gradually narrow down the potential solutions. Ultimately what you’re left with is the answer. Even if you’d thought of it at the beginning of the process, you could never know it was right until the end.”

    — Nicholas Wroe, Thomas Heatherwick: the new Da Vinci of design