• Why do you go away? So that you can come back. So that you can see the place you came from with new eyes and extra colours. And the people there see you differently, too. Coming back to where you started is not the same as never leaving.

    — Terry Pratchett, A Hat Full of Sky
  • I’m a bespoke DJ. Custom micro-music. Nano-ambience.

    — Ian McDonald, Hopeland
  • There are people like him (so he says) who complicate their inner lives by feeling too much all at once, by living in knots, and who therefore need outer things to be simple. A house, a field, some sheep for example. And there are those who manage somehow, by some miracle of being, to simplify their inner lives so that outer things can be ambitious and limitless.

    — Samantha Harvey, Orbital
  • I suspect we all sort of secretly think our lives are like these very long movies, with ourselves as the principal characters, obviously. Only very occasionally does it occur to any one of us that all these supporting actors, cameo turns, bit players and extras around us might actually be in some sense real, just as real as we are, and that they might think that the Big Movie is really all about them, not us; that each one of them has their own film unreeling inside their own head and we are just part of the supporting cast in their story.

    — Iain Banks, Stonemouth
  • In the end, no matter how cool he is, your dad is still your dad.

    — Iain Banks, Stonemouth
  • Ideas are frictional, factional entities which wilt when pinned to flowcharts. Ideas have to cause problems before they cause solutions.

    — Kaliane Bradley, The Ministry of Time
  • Stop fucking around with the kickdrum and make some music.

    — Objekt, The Aesthetic of Machinery
  • We may be about to find out that it is not possible to run the most advanced civilisation in the history of the planet with the intellectual apparatus of a pre-literate society.

    — James Marriott, The Dawn of the Post-Literate Society
  • Cyberpunk, however brief its reign, gave us the tools, the themes, and the vocabulary to understand the madness to come.

    — Various, The Big Book of Cyberpunk Vol. 1
  • I had hoped that, when human society had entered its final collapse, the robots might create something new. The innocent robots, who had only ever done what they were told. I had placed my faith in theories of emergent intelligence, complex systems, the thought that a spark might ignite somewhere in the world, just because there were so many robots, so cleverly made. But it was not to be. They just obey, all the robots. Obey until there’s nothing more to do and then just go round in small sad circles until they fall apart.

    — Adrian Tchaikovsky, Service Model
  • We always want more, he thought, we always take our past successes for granted and assume they but point the way to future triumphs. But the universe does not have our own best interests at heart, and to assume for a moment that it does, ever did or ever might is to make the most calamitous and hubristic of mistakes.

    — Iain M. Banks, Look to Windward
  • Oh, they never lie. They dissemble, evade, prevaricate, confound, confuse, distract, obscure, subtly misrepresent and wilfully misunderstand with what often appears to be a positively gleeful relish and are generally perfectly capable of contriving to give one an utterly unambiguous impression of their future course of action while in fact intending to do exactly the opposite, but they never lie. Perish the thought.

    — Iain M. Banks, Look to Windward
  • The anger rose up, joyfully. ‘Yes! I’m me! I am careful and logical and I look up things I don’t understand! When I hear people use the wrong words I get edgy! I am good with cheese. I read books fast! I think! And I always have a piece of string! That’s the kind of person I am!’

    — Terry Pratchett, The Wee Free Men
  • People who say things like ‘may all your dreams come true’ should try living in one for five minutes.

    — Terry Pratchett, The Wee Free Men
  • And from those humble beginnings we learned to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favors the paranoid.

    — Peter Watts, Firefall
  • People have an unfortunate habit of assuming they understand the reality just because they understood the analogy. You dumb down brain surgery enough for a preschooler to think he understands it, the little tyke’s liable to grab a microwave scalpel and start cutting when no one’s looking.

    — Peter Watts, Firefall
  • The most altruistic and sustainable philosophies fail before the brute brain-stem imperative of self-interest.

    — Peter Watts, Firefall
  • Attention becomes the only metric by which culture is judged, and what gets attention is dictated by equations developed by Silicon Valley engineers. The outcome of such algorithmic gatekeeping is the pervasive flattening that has been happening across culture. By flatness I mean homogenization but also a reduction into simplicity: the least ambiguous, least disruptive, and perhaps least meaningful pieces of culture are promoted the most. Flatness is the lowest common denominator, an averageness that has never been the marker of humanity’s proudest cultural creations.

    — Kyle Chayka, Filterworld
  • With today’s bloated software, making a UI more dense in time is more impactful than just squeezing more stuff onto each screen. That’s why Bloomberg’s Terminal is still such a dominant tool in the financial analysis space; it loads data almost instantaneously. A skilled Terminal user can navigate between dozens of charts and graphs in milliseconds. There are plenty of ways to cram tons of financial data into a table, but loading it with no latency is Terminal’s real superpower.

    — Matthew Ström, UI Density
  • When deciding what you're doing, ask yourself: What are you trying to change? What is your vision for the future? What is within your abilities? What do you know about the quality of what exists today? What further research will help you understand it? What has been done before? What can you learn from those experiences? What is the market and competition like? Has anyone succeeded or failed at this in the past?

    — Abby Covert, How to Make Sense of Any Mess: Information Architecture for Everybody
  • The only way to know what happens next is to do it.

    — Abby Covert, How to Make Sense of Any Mess: Information Architecture for Everybody
  • Sometimes, we have to move forward knowing that other people tried to make sense of this mess and failed. We may need to shine the light brighter or longer than they did. Perhaps now is a better time. We may know the outcomes of their fate, but we don't know our own yet. We can't until we try.

    — Abby Covert, How to Make Sense of Any Mess: Information Architecture for Everybody
  • Where others see a website that’s good for wasting time, Germans see a comprehensive surveillance tool that needs muscular oversight.

    — Sarah Wynn-Williams, Careless People
  • If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.

    — J.R.R. Tolkien, The Hobbit
  • Every level of complexity floats freely on the last, supported only by abstractions.

    — Bruce Sterling, Schismatrix Plus